Close your eyes. And listen to the song I have posted above. Listen closely to the floating city-light string melody in the first 10 seconds. This is an introduction to a film and story I’m passionate about. In the blackness of your mind’s eye (which represents the blackness of the screen), a statistic in white arial font text appears which reads:
“Every year nearly 11 million children living in poverty die before their fifth birthday” [1].
The next string of the text reads:
“Over the course of seven years, this will be more than the number of fatalities over the entire duration of WWII which lasted for seven years.” [2].
The last sentence is the following lamentation:
“This is dedicated to all those lost souls, the downtrodden, and desperate.”
Each of these sentences appear on the screen sequentially in this order.
And right when the bass hits, the blackness abruptly transitions into graphic video footage of police firing on poor farmworkers during the Mendiola Massacre of 1987. Now listen carefully to the lyrics spit in the first bar: “Bridge over troubled water / Ice in my muddy water..” For 30 seconds we are bombarded by the imagery of protesters along the Palestinian-Israeli border, Nigerians in Lagos demonstrating against fuel price inflation, dedicated Muslims in Sadr City gathering en mass to protest US occupation in Iraq, indigenous resistance actions in Oaxaca and Chiapas combating police who are aligned with repressive political institutions, etc. etc. The beats hit us hard, the viewers, as if we are barraged by a slew of stones thrown at us by these desperate citizens of the world with the same force as their frustration on these post-modern battlefields against oppression. The bass you hear is a war cry: the battle drums beaten by the hungry, ignored, voiceless, the kings of the underground. This is the soundtrack of a revolutionary movement.
The music stops, and the narrator of the film checks to see if the viewer is still with us.
“Do I have your attention now? Are you still with me? Good. I’m going to take you on a trip.”
The narrator announces that he will lead us through a journey into the slums and ghettos of the Third World, the shell-shocked ruins of the civilian battlegrounds of today’s war on the poor, the wastelands of developing nations who’ve sold off their sacred lands to foreign corporations who claim to help them…
“Closing the Gap” is meant to be that bridge over the troubled waters we see in this world. My friend and I are working on a project to calm the seas, and bring peace to the lives of those who need it the most. If you read Part I, we’ve already acknowledged that this can’t be done overnight for everyone, but we hope to put all our energy into making baby steps towards progress one person at a time. Our journey across this bridge begins on the banks of the Pasig River, Metro Manila, Philippines.