Folk Research: A Query and a Critique
“Laugh like Surpanakha:” Modern Literary Re-Imagining of a Famous Villainess in Indian Folkloric Traditions
Ethnopsychiatry of the Devil: Demonic Possession as a Cultural Language for Subjective Suffering in Contemporary Italy
Becoming Folkwise: Sustaining Digital Community While Socially Distant (Essay)
Making Sense of the Pandemic of Racism: From the Asian Exclusion Act in 1924 to the COVID-19 Hate Crimes Act in 2021
Response by: Fariha I. Khan
Refrigerators, Cupboards, and Canning Jars: Emergent Meanings and Subversive Practices in Food Preservation and Storage During the COVID-19 Pandemic
Response by: Janet C. Gilmore
The Folkloric Roots and Pandemic Popularity of the QAnon Conspiracy Theory (Essay)
Online Activism and Grassroots Memorialization in the Age of COVID-19: Dr. Li Wenliang's Virtual Wailing Wall
Response by: Frederik Schmitz
Cultural Analysis is an interdisciplinary, peer-reviewed journal dedicated to investigating expressive and everyday culture. The journal features analytical research articles, but also includes notes, reviews, and cross-disciplinary responses.
Established in 2000 in the Berkeley Folklore Archives, Cultural Analysis has published over 19 volumes and hosts a global editorial board and collective.
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Cultural Analysis encourages submissions from a variety of theoretical standpoints and from different disciplines, including, but not limited to, anthropology, cultural studies, folklore, media studies, popular culture, psychology, and sociology.
Authors should submit research articles of approximately 8,000-10,000 words in length, in accordance with the Chicago Manual of Style, 17th Edition, and include an abstract of 100 words and a "Works Cited" section. Authors must provide either an electronic or a paper copy of their article. Microsoft Word is the preferred format for all electronic copies. Electronic copies may be sent as e-mail attachments to caforum1@gmail.com. Essays (2,500 to 3,500 words) are also welcomed.
Detailed Submission Guidelines