Crossing Over
Front Matter PDF
John Shepherd, Jocelyne Guilbault, P. Murray Dineen, “Introduction” PDF
PART I: INSTITUTIONS, IDEOLOGIES, POSITIONS, AND POWER
David Gramit, “The Roaring Lion: Critical Musicology, the Aesthetic Experience, and the Music Department” PDF
P. Murray Dineen, “Adorno, Jitterbug, and the Adequate Listener” PDF
Richard Middleton, “Who May Speak? From a Politics of Popular Music to a Popular Politics of Music” PDF
John Shepherd and Peter Wicke, “Re-Thinking Music: Disciplinary Implications” PDF
PART II: MUSIC AND ECONOMIES OF EXCHANGE
Will Straw, “Music as Commodity and Material Culture” PDF
Regula Burckhardt Qureshi, “Confronting the Social: Mode of Production and the Sublime in Hindustani Music” PDF
Gary Tomlinson, “Montaigne’s Cannibals’ Songs” PDF
PART III: PERFORMING SEXUALITY AND GENDER
Philip Brett, “Piano Four Hands: Schubert and the Performance of Gay Male Desire” PDF
Lori Burns, “Genre, Gender, and Convention Revisited: k. d. lang’s Cover of Cole Porter’s ‘So in Love'” PDF
PART IV: SOLIDARITIES AND IDENTITIES THROUGH MUSIC
George Lipsitz, “The History of the Present is Not Being Written: Music and Memory in the Transnational Economy” PDF
Line Grenier and Jocelyne Guilbault, “Créolité and Francophonie in Music: Socio-Musical Repositionings Where It Matters” PDF
Beverley Diamond, “Theory from Practice: First Nations Popular Music in Canada” PDF
Contributors PDF
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